Letter V (Richmond, VA blog)
Lionheart, Nov. 5, 2007, University of
This set of medieval, Renaissance and contemporary pieces is titled after the familiar Anglo-American folk hymn, sung as a unison introit and reprised in shape-note-style and modern harmonizations.
"Wayfaring Stranger" keeps unexpected company: 13th- and 14th-century liturgical and troubadour songs for three and four voices, the polyphony of 16th-century masters Cipriano de Rore ("Calami sonum") and Giovanni Palestrina ("Litaniae de Beata Virgine Maria"), Marc-Andr� Dalbavie�s setting of Ezra Pound ("Chants") and gospel-inflected American pop (Laura Nyro�s "When I Die").
That last one, in this context, could easily sound like bling draped on a madonna � and the arrangement�s segue in and out of the Dies Irae, like a rose window in a double-wide � but the group makes it work by emphasizing the refrain�s spiritual continuity: "And when I die, and when I�m gone, there�ll be one child born in this world to carry on."
Lionheart lavished tone and feeling on the Dalbavie and Palestrina, the program�s artistic summits; but the singers were just as musically scrupulous and communicative in lighter selections.The barbershop-quartet staple "Meet Me Tonight in Dreamland," which the group frequently sings as an encore, is a conscious bit of highbrow self-deprecation. For some listeners, though, it must be an unwelcome return to earth from the heights of the Renaissance.