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ENGLISH VOICES AND VIOLS IN THE AGE OF THE REFORMATION Full-length concert with intermission performed in conjunction with the viol consort |
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Music for a Tudor Chapel |
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| Sancte
deus (votive Antiphon) |
Thomas
Tallis (ca. 1505-1585) |
| Lamentations
of Jeremiah, Part I |
Tallis |
| In
monte oliveti |
Sarum
chant |
| In
nomine |
Tallis |
| Like
as the doleful dove |
Tallis |
| Lamentations
of Jeremiah, Part II |
Tallis |
| Tristis
est anima mea |
Sarum
chant |
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Intermission |
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Early Elizabethan Sacred and
Secular Music |
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| Gloria
tibi trinitas |
Sarum
chant |
| Three
“In nomines”: Crye; Rachells weepinge; Howld fast |
Christopher
Tye (ca. 1505-1572) |
| Hugh
Ashton’s Maske |
Hugh
Ashton (ca. 1485-1558) and William Whytbrooke (fl. 1520-1550) |
| if
ye be risen again |
Tye |
| Like
as the doleful dove |
Tallis |
| O
ye tender babes |
Tallis |
| Pavin
of Albarti |
Innocentia
Alberti (ca. 1535-1615) |
| Gallyard |
Anonymous |
| [Pavane];
Allemana d’amor; Galliard |
Anonymous |
| De
la court |
Robert
Parsons (d. 1570) |
| A
solfing song |
Tallis |
| The
song called trumpets |
Parsons |