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". . . the music of this 15th-century Flemish master has seldom sounded so princely. The combined sound of the two groups in the resonant church was mystical. These vocalists understand that by singing with open, focused tone and steady, unforced production, their sound will linger and resonate with haunting beauty. . .The structure of the 75-minute program, performed without break, was musically and spiritually effective. . . Voices overlap in continually surprising ways, and melodic lines spin out ethereally, while the inevitable cantus firmus line in the texture keeps the music grounded and inexorable. . . May these two estimable ensembles sing together often." -- Anthony Tomassini, New York Times, May 20, 1998. |
Ockeghem, Prince of Musicians
ANONYMOUS 4 and LIONHEART
| Antiphon: Ave Maria | Plainsong |
| Motet: Alma redemptoris Mater | Ockeghem |
| Introit: Salve sancta parens | Plainsong |
| Kyrie: Missa Mi-Mi | Ockeghem |
| Gloria: Missa Mi-Mi | Ockeghem |
| Epistle: Ab inicio et ante secula | Plainsong |
| Gradual: Benedicta et venerabilis | Plainsong |
| Alleluya: Virga Yesse floruit | Plainsong |
| Motet: Salve Regina | Ockeghem |
| Gospel: Factum est dum loqueretur | Plainsong |
| Credo: Missa Mi-Mi | Ockeghem |
| Offertory: Felix namque | Plainsong |
| Sanctus: Missa Mi-Mi | Ockeghem |
| Agnus Dei: Missa Mi-Mi | Plainsong |
| Communion: Regina mundi | Plainsong |
| Motet: Ave Maria | Ockeghem |
| Hostias Et preces (from the Requiem) | Ockeghem |
| Déploration: Nymphes des bois | Josquin |